① The Role Of Pride In Oedipus The King

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The Role Of Pride In Oedipus The King

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Fate, Family, and Oedipus Rex: Crash Course Literature 202

Cast Best From True Detective. My Top Favorite Movie Dads of The best characters on The Wire. Top 35 characters from The Wire. See all related lists ». Do you have a demo reel? Add it to your IMDb page. Find out more at IMDbPro ». How Much Have You Seen? How much of Michael Potts's work have you seen? See more awards ». Known For. Show Me a Hero Walter Henderson. True Detective Detective Maynard Gilbough. Damages Horatio Emanuel. The Wire Brother Mouzone. Show all Hide all Show by Hide Show Actor 51 credits.

Measure of Revenge post-production. Night Music completed Father Dobie. Brandon Marsh. King Omari. Arthur Wasden - What Lies Beneath Arthur Wasden. Morgan Thomas. Joseph Petiport. Doctor Peter Hanson. Senator Fred Reynolds. Sergeant Cole Draper. Show all 6 episodes. Sid Bunderslaw. Walter Henderson uncredited. Walter Henderson. David Pillar. Moktar Zola. Detective Maynard Gilbough. To his horror, the oracle reveals that Laius "is doomed to perish by the hand of his own son.

Unable to do so to her own son, Jocasta orders a servant to slay the infant instead. The servant exposes the infant on a mountaintop, where he is found and rescued by a shepherd. In other versions, the servant gives the infant to the shepherd. The shepherd names the child Oedipus , "swollen foot", as his feet had been tightly bound by Laius. The shepherd brings the infant to Corinth , and presents him to the childless king Polybus , who raises Oedipus as his own son. As he grows to manhood, Oedipus hears a rumour that he is not truly the son of Polybus and his wife, Merope. He asks the Delphic Oracle who his parents really are. On the road to Thebes, Oedipus encounters an old man and his servants. The two begin to quarrel over whose chariot has the right of way.

While the old man moves to strike the insolent youth with his scepter, Oedipus throws the man down from his chariot, killing him. Thus, the prophecy in which Oedipus slays his own father is fulfilled, as the old man—as Oedipus discovers later—was Laius, king of Thebes and true father to Oedipus. Arriving at Thebes, a city in turmoil, Oedipus encounters the Sphinx , a legendary beast with the head and breast of a woman, the body of a lioness, and the wings of an eagle. The Sphinx, perched on a hill, was devouring Thebans and travellers one by one if they could not solve her riddle.

The precise riddle asked by the Sphinx varied in early traditions, and is not explicitly stated in Oedipus Rex , as the event precedes the play. However, according to the most widely regarded version of the riddle, the Sphinx asks "what is the creature that walks on four legs in the morning, two legs at noon, and three in the evening? Bested by the prince, the Sphinx throws herself from a cliff, thereby ending the curse. None, at that point, realize that Jocasta is Oedipus' true mother. Oedipus, King of Thebes, sends his brother-in-law, Creon, to ask the advice of the oracle at Delphi , concerning a plague ravaging Thebes. Creon returns to report that the plague is the result of religious pollution, since the murderer of their former king, Laius , has never been caught.

Oedipus vows to find the murderer and curses him for causing the plague. Oedipus summons the blind prophet Tiresias for help. Tiresias admits to knowing the answers to Oedipus' questions, but he refuses to speak, instead telling Oedipus to abandon his search. Angered by the seer's reply, Oedipus accuses him of complicity in Laius' murder. The offended Tiresias then reveals to the king that "[y]ou yourself are the criminal you seek". Oedipus does not understand how this could be, and supposes that Creon must have paid Tiresias to accuse him. The two argue vehemently, as Oedipus mocks Tiresias' lack of sight, and Tiresias retorts that Oedipus himself is blind.

Eventually, the prophet leaves, muttering darkly that when the murderer is discovered, he shall be a native of Thebes, brother and father to his own children, and son and husband to his own mother. Creon arrives to face Oedipus's accusations. The King demands that Creon be executed; however, the chorus persuades him to let Creon live. Jocasta , wife of first Laius and then Oedipus, enters and attempts to comfort Oedipus, telling him he should take no notice of prophets. As proof, she recounts an incident in which she and Laius received an oracle which never came true. The mention of the place causes Oedipus to pause and ask for more details. Jocasta specifies the branch to Daulis on the way to Delphi.

Recalling Tiresias' words, he asks Jocasta to describe Laius. The king then sends for a shepherd, the only surviving witness of the attack to be brought from his fields to the palace. Confused, Jocasta asks Oedipus what the matter is, and he tells her. Many years ago, at a banquet in Corinth, a man drunkenly accused Oedipus of not being his father's son. Oedipus went to Delphi and asked the oracle about his parentage. Instead of answering his question directly, the oracle prophesied that he would one day murder his father and sleep with his mother. Upon hearing this, Oedipus resolved never to return to Corinth.

In his travels, he came to the very crossroads where Laius had been killed, and encountered a carriage that attempted to drive him off the road. An argument ensued, and Oedipus killed the travelers—including a man who matched Jocasta's description of Laius. However, Oedipus holds out hope that he was not Laius' killer, because Laius was said to have been murdered by several robbers. If the shepherd confirms that Laius was attacked by many men, then Oedipus will be in the clear. A man arrives from Corinth with the message that Polybus , who raised Oedipus as his son, has died. To the surprise of the messenger, Oedipus is overjoyed, because he can no longer kill his father, thus disproving half of the oracle's prophecy.

However, he still fears that he might somehow commit incest with his mother. Eager to set the king's mind at ease, the messenger tells him not to worry, because Merope is not his real mother. Ths messenger explains that years earlier, while tending his flock on Mount Cithaeron , a shepherd from the household of Laius brought him an infant that he was instructed to dispose of. The messenger had then given the child to Polybus, who raised him. Oedipus asks the chorus if anyone knows the identity of the other shepherd, or where he might be now.

They respond that he is the same shepherd who witnessed the murder of Laius, and whom Oedipus had already sent for. Jocasta, realizing the truth, desperately begs Oedipus to stop asking questions. When Oedipus refuses, the queen runs into the palace. When the shepherd arrives Oedipus questions him, but he begs to be allowed to leave without answering further. However, Oedipus presses him, finally threatening him with torture or execution.

It emerges that the child he gave away was Laius' own son. In fear of a prophecy that the child would kill his father, Jocasta gave her son to the shepherd in order to be exposed upon the mountainside. Everything is at last revealed, and Oedipus curses himself and fate before leaving the stage. The chorus laments how even a great man can be felled by fate, and following this, a servant exits the palace to speak of what has happened inside. Jocasta has hanged herself in her bedchamber. Entering the palace in anguish, Oedipus called on his servants to bring him a sword, that he might slay Jocasta with his own hand. But upon discovering the lifeless queen, Oedipus took her down, and removing the long gold pins from her dress, he has gouged out his own eyes in despair.

The blinded king now exits the palace, and begs to be exiled. Creon enters, saying that Oedipus shall be taken into the house until oracles can be consulted regarding what is best to be done. Oedipus's two daughters and half-sisters , Antigone and Ismene , are sent out and Oedipus laments their having been born to such a cursed family. He begs Creon to watch over them, in hopes that they will live where there is opportunity for them, and to have a better life than their father. Creon agrees, before sending Oedipus back into the palace. On an empty stage, the chorus repeats the common Greek maxim that "no man should be considered fortunate until he is dead. The two cities of Troy and Thebes were the major focus of Greek epic poetry. The events surrounding the Trojan War were chronicled in the Epic Cycle , of which much remains, and those about Thebes in the Theban Cycle , which have been lost.

The Theban Cycle recounted the sequence of tragedies that befell the house of Laius , of which the story of Oedipus is a part. Homer 's Odyssey XI. Homer briefly summarises the story of Oedipus, including the incest, patricide, and Jocasta's subsequent suicide. However, in the Homeric version, Oedipus remains King of Thebes after the revelation and neither blinds himself, nor is sent into exile.

In particular, it is said that the gods made the matter of his paternity known, whilst in Oedipus the King , Oedipus very much discovers the truth himself. Since he did not write connected trilogies as Aeschylus did, Oedipus Rex focuses on the titular character while hinting at the larger myth obliquely, which was already known to the audience in Athens at the time. The trilogy containing Oedipus Rex took second prize in the City Dionysia at its original performance. Aeschylus's nephew Philocles took first prize at that competition. Many modern critics agree with Aristotle on the quality of Oedipus Rex , even if they don't always agree on the reasons.

No other shows an equal degree of art in the development of the plot; and this excellence depends on the powerful and subtle drawing of the characters. Kitto said about Oedipus Rex that "it is true to say that the perfection of its form implies a world order," although Kitto notes that whether or not that world order "is beneficent, Sophocles does not say. The science revolution attributed to Thales began gaining political force, and this play offered a warning to the new thinkers.

Kitto interprets the play as Sophocles' retort to the sophists , by dramatizing a situation in which humans face undeserved suffering through no fault of their own, but despite the apparent randomness of the events, the fact that they have been prophesied by the gods implies that the events are not random, despite the reasons being beyond human comprehension. What is right is to recognize facts and not delude ourselves.

The universe is a unity; if, sometimes, we can see neither rhyme nor reason in it we should not suppose it is random. There is so much that we cannot know and cannot control that we should not think and behave as if we do know and can control. Oedipus Rex is widely regarded as one of the greatest plays, stories, and tragedies ever written. Fate is a motif that often occurs in Greek writing, tragedies in particular.

Likewise, where the attempt to avoid an oracle is the very thing that enables it to happen is common to many Greek myths. For example, similarities to Oedipus can be seen in the myth of Perseus ' birth. Two oracles in particular dominate the plot of Oedipus Rex. Jocasta relates the prophecy that was told to Laius before the birth of Oedipus lines —4 :. The oracle told to Laius tells only of the patricide , whereas the incest is missing. Prompted by Jocasta's recollection, Oedipus reveals the prophecy which caused him to leave Corinth lines —3 :. The implication of Laius's oracle is ambiguous. One interpretation considers that the presentation of Laius's oracle in this play differs from that found in Aeschylus 's Oedipus trilogy produced in BC.

Smith argues that "Sophocles had the option of making the oracle to Laius conditional if Laius has a son, that son will kill him or unconditional Laius will have a son who will kill him. Both Aeschylus and Euripides write plays in which the oracle is conditional; Sophocles Other scholars have nonetheless argued that Sophocles follows tradition in making Laius's oracle conditional, and thus avoidable. They point to Jocasta's initial disclosure of the oracle at lines — Whatever the meaning of Laius's oracle, the one delivered to Oedipus is clearly unconditional.

Given the modern conception of fate and fatalism , readers of the play have a tendency to view Oedipus as a mere puppet controlled by greater forces; a man crushed by the gods and fate for no good reason. This, however, is not an entirely accurate reading. While it is a mythological truism that oracles exist to be fulfilled, oracles do not cause the events that lead up to the outcome.

Dodds draws upon Bernard Knox 's comparison with Jesus ' prophecy at the Last Supper that Peter would deny him three times. Jesus knows that Peter will do this, but readers would in no way suggest that Peter was a puppet of fate being forced to deny Christ. Free will and predestination are by no means mutually exclusive, and such is the case with Oedipus. The oracle delivered to Oedipus is what is often called a " self-fulfilling prophecy ," whereby a prophecy itself sets in motion events that conclude with its own fulfilment. The oracle inspires a series of specific choices, freely made by Oedipus, which lead him to kill his father and marry his mother.

Oedipus chooses not to return to Corinth after hearing the oracle, just as he chooses to head toward Thebes, to kill Laius, and to take Jocasta specifically as his wife. In response to the plague at Thebes, he chooses to send Creon to the Oracle for advice and then to follow that advice, initiating the investigation into Laius' murder. None of these choices are predetermined. Another characteristic of oracles in myth is that they are almost always misunderstood by those who hear them; hence Oedipus misunderstanding the significance of the Delphic Oracle. He visits Delphi to find out who his real parents are and assumes that the Oracle refuses to answer that question, offering instead an unrelated prophecy which forecasts patricide and incest. Oedipus' assumption is incorrect, the Oracle does, in a way, answer his question.

On closer analysis the oracle contains essential information which Oedipus seems to neglect. The wording of the Oracle: "I was doomed to be murderer of the father that begot me" refers to Oedipus' real, biological father. Likewise the mother with polluted children is defined as the biological one. The wording of the drunken guest on the other hand: "you are not your father's son" defines Polybus as only a foster father to Oedipus. The two wordings support each other and point to the "two set of parents" alternative.

Thus the question of two set of parents, biological and foster, is raised. Oedipus' reaction to the Oracle is irrational: he states he did not get any answer and he flees in a direction away from Corinth, showing that he firmly believed at the time that Polybus and Merope are his real parents. The scene with the drunken guest constitutes the end of Oedipus' childhood. He can no longer ignore a feeling of uncertainty about his parentage. However, after consulting the Oracle this uncertainty disappears, strangely enough, and is replaced by a totally unjustified certainty that he is the son of Merope and Polybus. We have said that this irrational behaviour—his hamartia , as Aristotle puts it—is due to the repression of a whole series of thoughts in his consciousness, in fact everything that referred to his earlier doubts about his parentage.

The exploration of the theme of state control in Oedipus Rex is paralleled by the examination of the conflict between the individual and the state in Antigone. The dilemma that Oedipus faces here is similar to that of the tyrannical Creon : each man has, as king, made a decision that his subjects question or disobey; and each king misconstrues both his own role as a sovereign and the role of the rebel. When informed by the blind prophet Tiresias that religious forces are against him, each king claims that the priest has been corrupted. It is here, however, that their similarities come to an end: while Creon sees the havoc he has wreaked and tries to amend his mistakes, Oedipus refuses to listen to anyone.

Sophocles uses dramatic irony to present the downfall of Oedipus. At the beginning of the story, Oedipus is portrayed as "self-confident, intelligent and strong willed. One of the most significant instances of irony in this tragedy is when Tiresias hints at Oedipus what he has done; that he has slain his own father and married his own mother lines —60 : [31]. To his children he will discover that he is both brother and father.

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